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Clair de lune

Clair de lune from Scratch #42, Measure 29, Pt. 3

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Now we work on the right hand part, taking note of a special fingering at the end that helps to prepare the hand to move higher in the next measure. We then put both hands together, highlighting the specific notes where the right hand plays together with the left. Take your time, and with patience you'll be able to play through this challenging passage with ease.

Last Updated (Tuesday, 29 December 2009 22:35)

 

Clair de lune from Scratch #43, Measure 30, Pt. 1

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Cheats galore! I show you a "swiss cheese" approach to the left hand, where we keep easy-to-find hand shapes for the fast passage, leaving out a few key notes for the right hand to "come to the rescue" in the next lesson. You'll see how this all works out in the end, it's a lot of fun untangling this otherwise tricky passage!

Last Updated (Tuesday, 29 December 2009 22:35)

 

Clair de lune from Scratch #44, Measure 30 Pt. 2

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We add the heroic right hand with some fingering gymnastics to save the left hand. The reason I use these fingerings is to help keep both hands from stretching beyond comfortable shapes, making it easy to use each hand as a "measuring stick" for cleaner jumps and position changes. Let me know if you find these fingerings helpful - if not, I'd be happy to "redo" this measure and show the more "traditional" fingering as an alternative.

 

Last Updated (Tuesday, 29 December 2009 22:35)

 

Clair de lune from Scratch #45 Measure 31, Part 1

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Whoa! Add some lights and what a difference it makes in video quality! Sorry for not doing this sooner, folks! Anyways back to the music. We start by taking apart the left hand notes, and realize we have to stretch our fingers and do some light hand-over-thumb gymnastics (no right hand to the rescue this time, unfortunately). With a little practice, you'll see that this isn't so bad after all.

Last Updated (Tuesday, 29 December 2009 22:35)

 

Clair de lune from Scratch #46, Measures 31 and 32, pt 2

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This lesson actually covers both measures 31 and 32, since they're essentially identical. We now add the right hand notes, taking note of how the top melody line needs to hold past the pedal break. I give a few suggested fingerings, and encourage you to use whatever feels more comfortable, as everyone's hand is different in size and shape. I also give a suggestion for practicing to connect both measures 31 and 32 more smoothly.

Last Updated (Tuesday, 29 December 2009 22:35)

 
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