Piano from Scratch

We start off with a quick review of measure 27, then go into transitioning into measure 28. Rather than just focusing on where fingers go, we talk briefly about how movement at the piano is broken down from larger to smaller segments - from arms, to wrists and hands, then fingers - and that being able to coordinate between all the elements will make for more effective playing technique. I also re-emphasize how using "cookie cutter" hand shapes can make it much easier to jump around the piano with greater accuracy.

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